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Posted at 04:03 PM in Aftermath | Permalink | Comments (0) | TrackBack (0)
OK, I'm probably biased. I have sat with the new Culture Minister Mike Russell for hours on countless boats to Rum and there's no doubt he's a very entertaining and well read man. And today, it showed. I was one of around two hundred artsy luvvie types crammed into the Traverse Theatre in Edinburgh to hear the new man in charge of Scottish Culture demonstrate a fairly exhaustive knowledge of Scottish culture. There were 15 literary references in about 20 minutes – I suppose that sounds kinda pretentious, but it felt like rain after a long, long drought.
Instead of a lecture about the need to just get on with it, there was a Thomas Hardy quote; "I know 20 men who would write. I alone sat down to write."
Angus Farquhar of NVA sounded a warning note – "We've become great form-fillers in Scotland, not great artists. When artists feel they are just there to deliver government policy, they act like people in strait jackets." Which prompted a John F Kennedy quote from the Minister about the duty of the artist to be true to himself, or to be precise; "the highest duty of the writer, the composer, the artist is to remain true to himself and to let the chips fall where they may. In serving his vision of the truth, the artist best serves his nation. And the nation which disdains the mission of art invites the fate of Robert Frost's hired man."
At the close of play, a member of the audience remembered the final line of that JFK quote about Frost's "hired man" – who has "nothing to look backward to with pride, and nothing to look forward to with hope," and concluded "Hope deferred maketh the heart grow sick."
An elegant way of saying, don't let us down. Mr R nodded sagely and said "Quite".
I think the Minister got the message. And I certainly had an unexpectedly educative day out.
Meanwhile, I'm hoping Mike will do a reprise of today's meeting in July as an audience programme for Riddoch Questions before we go off air for the summer. Watch this Space. And finally, talking of spaces, many thanks to Paul and the security team at the South Gyle car park who walked round looking for my car last night when I was convinced it had been stolen. It was, of course, a few yards from where I thought I'd left it. No-one crowed, teased or would even accept the fiver I'd bet them that the car was truly gone! What diamond geezers. Or in the spirit of the day, "Cometh the hour, cometh the man."
Posted at 11:38 PM | Permalink | Comments (1) | TrackBack (0)
There is a new Aftermath recorded with Billy Kay and Susan Morrison now available. It is a funny, provocative and serious discussion about the state of the Scots language. Please feel free to comment.
Posted at 01:15 PM in Aftermath | Permalink | Comments (0) | TrackBack (0)
Does Scotland need a new public radio station – er yes!
I was in the audience at a broadcasting conference today in Edinburgh and was starting to bite the carpet when almost an hour and three speakers had passed without the word radio being uttered more than once. I know the big bucks are in TV – but actuallyin TV stats show radio has more listeners and that more people get their news from radio than TV. But never mind the numbers game – radio is not just TV without pictures. It can handle complex thought and ideas, it's more immediate and versatile and more interactive than the box. But currently, the same lack of competition and lack of space in TV identified by Blair Jenkin's Scottish Broadcasting Commission exists in radio as well.
Anyway, I asked a question which was swiftly picked up by the eagle-eared Mike Wilson of allmediascotland.com, which organ is liable to post the following...
One of Scotland's best-known journalists is calling for a review of radio similar in ambition to the Scottish Broadcasting Commission which, despite its title, was mainly about television. Lesley Riddoch yesterday warned that radio in Scotland is facing contraction on a number of fronts – commercial radio is abandoning speech programmes and news content as the credit crunch bites and advertising revenue falls, and some independent radio producers like her own company, the Dundee-based Feisty, have not had existing commissions renewed by BBC Scotland.
She said: "I sense more speech radio output is being taken in-house by the BBC, not for any sinister reason. There are simply not enough available broadcast hours on Radio Scotland to accommodate the range of programme ideas and radio talent in this country. Unfortunately at present, speech-based independent radio producers have very few other places to go. It's taken my company three years to get registered as suppliers to Radio 4 -- and despite an enormous effort we have got nothing commissioned so far. Of course indys aren't owed a living. But on present trends, there could be very few independent radio producers around in Scotland next year."
Riddoch was among around 80 delegates at a conference yesterday, looking at the future of Scottish broadcasting, which included a keynote speech (here) from a Scottish Government minister and panel sessions involving, among others, Stuart Cosgrove, director of nations and regions at Channel 4, and former First Minister, Henry McLeish, a member of the Scottish Broadcasting Commission. She runs Feisty Productions whose current commissions include the weekly Riddoch Questions and a business series New Hands on Sundays at 10.30am from Feb 22nd.
She received support from the chair of the Scottish Broadcasting Commission, Blair Jenkins, who said he suspected a review of radio in Scotland will happen quite soon. But Jenkins added that, within the Commission, a debate about radio "didn't really kick-off", the Commission's plea for information and evidence attracting representatives only of community radio and people complaining about individual programmes on Radio Scotland. Continued Riddoch: "I was a member of the Prison's Commission last year, and currently chair a Taskforce on the Island of Rum – so I know how time consuming and intensive the Scottish Broadcasting Commission's work must have been. The radio fanatic in me would love to see the same amount of care and thought devoted to a medium that actually beats TV for immediacy and size of audience – but I don't expect it'll happen. A more modest review however would be easy to set up quickly – and very welcome."
Just to make it clear, I have absolutely no desire to chair any Radio review! I think I'm far too close to the whole thing. But someone needs to wrap their brains around the difficulties facing ALL the media in Scotland – print too. There may be a really inventive and creative way to pool resources across the normal paper/radio/TV boundaries to create a very different kind of media beastie.
Thoughts?
Posted at 11:30 PM | Permalink | Comments (0) | TrackBack (0)
The missing portions of this week's Riddoch Questions makes it to air on this week's Aftermath. The good folk of Glenrothes were asked about the Prime Minister and their answers are surprising...however the Aftermath takes a number of interesting meanders...listen and learn
Posted at 08:43 PM in Aftermath | Permalink | Comments (0) | TrackBack (0)
Tam O'Shanter at Perth Theatre was superb. Created and directed by Gerry Mulgrew, with a great cast including the particularly fabulous Gerda Stevenson who told me afterwards she had missed a week from rehearsals adapting Sunset Song for Radio 4 (we should all listen out for that methinks). The use of Scots is clever and mixes authentic Burns songs I'd never heard before with Gerry's own fast and furious "modern" Scots commentary.
It's the kind of play that makes you want to go back and listen really, really carefully – and ban everyone from coughing in the audience or mumbling on stage. We had a wee chat afterwards about the delivery and acoustics – some felt the slight barrier to understanding wasn't the speed but the confidence of the actor delivering the lines. Anyway, if you can't see how Tam O'Shanter can last more than 15 minutes go along and be amazed. And if like me you get confused by everything in Perth being called "Horsecross" these days, its at the old Perth Theatre not the new een.
Posted at 12:30 PM | Permalink | Comments (0) | TrackBack (0)